Zenobia

Oliver Hardy shines as a small town doctor in this amusing comedy set in the Old South. After tending to an ailing elephant Hardy can't get rid of the beast since she is so appreciative and an elephant never forgets. It's a fun path as Zenobia follows the portly doctor just about everywhere he goes. This is one of the few times that Hardy appeared in a film without his partner Stan Laurel however he handles it quite well. Co-starring are Jean Parker, James Ellison, Alice Brady, Billie Burke as the doctors befuddled wife and the ever dependable Hattie McDaniel. It's available on VSH folks.

Oliver Hardy stars as a small-town doctor in Mississippi who hits on hard times when he insults the local rich woman (Alice Brady). Meanwhile his daughter (Jean Parker) is engaged to the rich woman's son (James Ellison). Brady will not have Parker as a daughter-in-law because the the family's low social standing. Hardy's wife (Billie Burke)invites everyone to dinner to try to smooth thing over. Disaster.

When Hardy is summoned to come help someone who is sick, he races across town only to find that the patient is an elephant (Zenobia) in a traveling carnival. Zenobia's owner (silent comic great, Harry Langdon) helps Hardy figure out how to treat an elephant. Zenobia is so grateful, she falls in love with Hardy and refuses to leave his side. Langdon gets mad and sues Hardy (with the help of mean-spirited Brady). There is a good court room scene and the usual ending.

The cast works well in this mild but pleasant comedy. Many will be disappointed by Langdon's standing in for Stan Laurel, but it's interesting to see Langdon in a talkie. Definitely a B film, but not without its good points.

Hardy is very good in a comic role that allows him a little room to act. Burke and Brady are total pros, and Jean Parker is pretty and pleasing. Ellison is a blank.

Hattie McDaniel plays the cook, J. Farrell McDonald is the judge, Olin Howland is the lawyer, Hobart Cavanaugh plays a patient, Philip Hurlic (as the kid) has a great scene, June Lang plays a rival, and Stepin Fetchit plays himself. William Bakewell can be spotted in a bit part.

Zenobia (1939)

** 1/2 (out of 4)

Oliver Hardy plays a country doctor's whose life gets turned upside down when his daughter is about to marry into a rich family that doesn't want her. To make matters worse, the doctor is asked by a circus man (Harry Langdon) to look at his sick elephant. The doctor cures the creature but then the elephant refuses to leave his side. This was Hardy's first and only starring role without Stan Laurel but the screenplay really seems like it was originally meant for the two. Langdon, a silent screen star, fills in for Laurel and one can't help but think the duo could have made this film together but didn't for whatever reasons. The film takes place during the Old South and features a lot more than just laughs as the doctor always talks about he Declaration of Independence and how important that is to him. The battles between rich and poor as well as black and white are dealt with in a pretty honest manor considering the type of film this is. There's one sequence where a black boy asks Hardy if he'll ever be white so that he will be able to do more things. The response Hardy gives him makes for some good drama but it's also interesting in what's said. I was surprised at how honest they looked at the racial tensions but some of them are nearly thrown to the side with Step'n Fetchit playing his normal slow slave character. He's certainly very good at what he does but the performance does go against some of the speeches in the film. Hardy proves that he could carry a movie on his own and delivers many laughs including a very funny sequence where he tells Langdon that he isn't an elephant. Langdon's comeback is great and he also manages to do his part quite well and add plenty of laughs. I didn't care too much for any of the other supporting performances as I found them very annoying due to how they were written in the screenplay. This film certainly isn't a masterpiece or even a classic but it makes for a mildly entertaining 70-minutes.

For those looking for the magic of Laurel and Hardy, "Zenobia" offers an alternative that occurred because of Laurel's contract negotiations. Made the same year as "Gone With The Wind", Zenobia takes place in a time before the Civil War, where a small Southern plantation town at peace, is disrupted when the excitable traveling promoter (Harry Langdon), seeks aid for his ailing partner. A beloved country doctor (Oliver Hardy) is surprised and resists, but is coerced into treating a fully grown elephant for a terrible condition. Proving that a good deed never goes unpunished for Hardy, the patient, attempting to say 'thanks', relentlessly follows the good doctor and there is no place to hide, not even a formal social gathering. With the town in an uproar and his wife (Billie Burke) embarrassed at the spectacle, Dr Tibbetts is the focus of laughter, ridicule and a lawsuit. Twelve year old Philip Hurlic turns in a memorable performance that needs to be seen in the context of today.

Langdon is little known by most and seems very much like Buster Keaton, but just a bit more shy. Although, Langdon is not as appreciated for his works as Stan and Ollie, his touching performance in "Tramp, Tramp, Tramp!" when he meets Joan Crawford, the girl of his dreams, face to face for the first time is something to behold. If you can look past Laurel's absence in this rare partnership, Zenobia will have you laughing at a moment in time when fate put two funny men and an elephant on a collision course. On such paths they prove there is just no dignified way to get around a loving elephant.

I have read the post before mine about this movie. Much I do agree with, but I wish to comment a bit more in defense of this movie. At the time, Hal Roach had a contract dispute with Stan. In short, Stan was offered more money then Oliver, and Stan said either pay us equal, or you don't have us anymore. That loyalty is amazing in any era. This movie was suppose to be for the both of them, but had to be re-written for just Oliver. Yes, the movie's writing suffers in many places, as it gets to be too silly, and even racist. However, the actual acting of Oliver, and Billie are truly wonderful, even if their lines were not. I view this movie as a rare treat, a historical footnote in the years of Laurel and Hardy. No, not a classic, nor anywhere near one, but entertaining? Yes. One can not compare this with any Laurel and Hardy movie. That would be unfair. They never knew if they would work together ever again at this point. True, at times I thought the concept of this movie was childish, but in an innocent entertaining way. As if to say we know it is silly, but it is just a silly movie. So no huge amount of thumbs up for this movie, but a nice treat for hardcore Laurel and Hardy fans. I will say though, thank God they got back together again! Ha! Two movies like this would have been a bit much to take Ha!